Tags: creative nonfiction
Small Press Points: Split/Lip Press
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including You Bury the Birds in My Pelvis by Kelly Weber and Irregular Heartbeats at the Park West by Russell Brakefield.
The Anthologist: A Compendium of Uncommon Collections
An introduction to three new anthologies, including Another Last Call: Poems on Addiction and Deliverance and Black Punk Now: Fiction, Nonfiction, and Comics.
Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Orders of Service: A Fugue by Willie Lee Kinard III and I Would Meet You Anywhere by Susan Kiyo Ito.
Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.
Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Any Other City by Hazel Jane Plante and Thinning Blood: A Memoir of Family, Myth, and Identity by Leah Myers.
Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Welcome Me to the Kingdom by Mai Nardone and Feast by Ina Cariño.
The Anthologist: A Compendium of Uncommon Collections
A look at three new anthologies, including A Darker Wilderness: Black Nature Writing From Soil to Stars and Infinite Constellations: An Anthology of Identity, Culture, and Speculative Conjunctions.
Q&A: Abdurraqib Edits for Tin House
MacArthur Fellow Hanif Abdurraqib talks about his new position at the independent press, the relationship between writer and editor, and the abundant talents of the Black literary community.