Poets & Writers Theater
Every day we share a new clip of interest to creative writers—author readings, book trailers, publishing panels, craft talks, and more. So grab some popcorn, filter the theater tags by keyword or genre, and explore our sizable archive of literary videos.
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“My work is a tragic form of fiction that is both European and African at the same time.” In this interview for the Louisiana Channel, Chigozie Obioma speaks about how his early influences of Shakespeare and Igbo folklore led him to write his debut novel, The Fishermen (Little, Brown, 2015). Obioma is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
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“Not only did To the Lighthouse help me to understand my own story, but my own story helped me to better understand To the Lighthouse—there’s sort of a beautiful reciprocity there.” Katharine Smyth talks with Michelle Dunton Cronauer about how Virginia Woolf’s 1927 novel led to writing her debut memoir, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf (Crown, 2019), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
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“What one carries from one point to another, geographically or temporally, is one’s self.” Yiyun Li reads from her debut memoir, Dear Friend, From My Life I Write to You in Your Life (Random House, 2017), in this video produced by the Office of Communications at Princeton University. Li, whose novel Where Reasons End is forthcoming from Random House in February, is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
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“My frugal mouth spends the only foreign words it owns. / At present, on this sleeper train, there’s nowhere to arrive.” Jenny Xie, a finalist for the 2018 National Book Award in poetry, reads “Rootless” and “Ongoing” from her debut poetry collection, Eye Level (Graywolf Press, 2018). Xie is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
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Esmé Weijun Wang, a 2018 Whiting Award winner, reads from her essay “On the Ward” from The Collected Schizophrenias (Graywolf Press, 2019). Wang is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
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“Carson McCullers is probably the author I feel the strongest connection to, in the way of empathy and seeing the world.” Benedict Wells, whose fourth novel, The End of Loneliness (Penguin Books, 2019), translated from the German by Charlotte Collins, is featured in Page One in the January/February issue of Poets & Writers Magazine, talks about his writing process, how he began as a writer, and some of the authors who have inspired him.
Tags: Fiction | Benedict Wells | interview | The End of Loneliness | Penguin Books | 2019 | Charlotte Collins | Page One | January/February 2019 -
“It was easy to worship obedient things.” Mario Chard reads a selection of poems from his debut poetry collection, Land of Fire (Tupelo Press, 2018) at Litquake in 2012. Karp is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
Tags: Poetry | Mario Chard | Land of Fire | Tupelo Press | 2018 | Debut Poets 2018 | January/February 2019 | Litquake -
Dorianne Laux reads her poems “If It Weren’t for Bad Ideas, I’d Have No Ideas at All,” “Evening,” “This Close,” and “Savages” at a 2017 reading in Washington, D.C. for the Field Office. Laux’s new collection, Only as the Day Is Long: New and Selected Poems (Norton, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine.
Tags: Poetry | Dorianne Laux | Only as the Day Is Long | Norton | 2019 | 2017 | reading | Page One | January/February 2019 | Field Office -
“We live on the unanswerable, assert / that acknowledgment is inartistic, / history is regressive, and aggression / looks like no one we know…” Justin Phillip Reed reads from his debut poetry collection, Indecency (Coffee House Press, 2018), for which he won the 2018 National Book Award in poetry. Reed is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
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“History hides. That’s its job. It hides behind other history.” Sam Lipsyte reads from his fourth novel, Hark (Simon & Schuster, 2019), at the University of San Francisco’s MFA Reading Series. Hark is featured in Page One in the January/February issue of Poets & Writers Magazine.
Tags: Fiction | Sam Lipsyte | reading | Hark | Simon & Schuster | 2019 | 2018 | University of San Franciso | Page One | January/February 2019 -
“What may exist between appearance, and disappearance, between sound and silence, as something that is nearly nothing…” Diana Khoi Nguyen, a finalist for the 2018 National Book Award in poetry, reads from her debut poetry collection, Ghost Of (Omnidawn Publishing, 2018). Nguyen is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
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Ross Gay reads from his forthcoming essay collection, The Book of Delights (Algonquin Books, 2019), at a 2017 reading in Washington, D.C. for the Field Office. Gay is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
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“Your buttons can’t hold all the love / rippling up the middle of your ribcage…” José Olivarez reads his poem “You Get Fat When You’re in Love” from his debut poetry collection, Citizen Illegal (Haymarket Books, 2018). Olivarez is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February 2019 issue of Poets & Writers Magazine.
Tags: Poetry | José Olivarez | Citizen Illegal | Haymarket Books | 2018 | Debut Poets 2018 | January/February 2019 -
“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.
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Fatimah Asghar, whose debut poetry collection, If They Come For Us, was published in June by One World, talks with director Sam Bailey about the motivations behind their web series Brown Girls, which the cocreators will be adapting for HBO.