“By entering a found text as a poem, the poet doubles its context. The original meaning remains intact, but now it swings between two poles," Annie Dillard wrote in Mornings Like This: Found Poems (Harper Perennial, 1996). "The poet adds, or at any rate increases, the element of delight." Many twentieth-century writers have experimented with found poetry, whether composing entire poems that consist solely of outside texts collaged together (David Antin, Blaise Cendrars, Charles Reznikoff) or incorporating pieces of found text into poems (T. S. Eliot, Ezra Pound, William Carlos Williams). Using these poets as inspiration, create a found poem using materials from street signs, newspapers, product packaging, legal documents, or e-mails. Play with different rearrangements and line breaks to form a new meaning that may be an unexpected juxtaposition to the original text. 

As we head into the second half of June, the deadlines approach for several poetry competitions. The contests included below—which are sponsored by organizations and schools based in places from Australia to Cape Cod—offer cash prizes from $1,000 to $10,000 for single poems.

The Cultural Center of Cape Cod offers a prize of $1,000 through its annual Poetry Competition. The submission deadline is Monday, June 20; the entry fee is $15.

With a deadline of Tuesday, June 21, the Troubadour International Poetry Prize, sponsored by London-based Coffee-House Poetry, offers a first-place prize of £5,000 (approximately $7,000) and a second-place prize of £1,000 (approximately $1,400). Glyn Maxwell and Jane Yeh will judge; the entry fee is $8 per poem.

Over in Australia, University of Canberra is currently considering submissions for its annual Vice-Chancellor’s Poetry Prize. The international contest, open to poets from any country writing in English, offers a hefty first-place prize of $15,000 AUD (approximately $11,100) as well as a second-place prize of $5,000 AUD (approximately $3,700). The winners will be published in an e-book anthology, and Simon Armitage will judge. The deadline is June 30, with an entry fee of $20 AUD (approximately $15).

For the musically inclined, String Poet is hosting its annual poetry competition with a deadline of June 30. Not only will the winner receive $1,000 and publication in String Poet, but the composer Richard Books will compose a piece of music inspired by the winning piece. The entry fee is $15. X. J. Kennedy will judge.

Visit the contest websites for complete submission details, including eligibility guidelines and poem length requirements. For a look at more writing contests with upcoming deadlines, visit our Grants & Awards database and submission calendar.

The Brady Bunch, Married With Children, The Simpsons, Leave It to Beaver, Freaks and Geeks, That ‘70s Show. These television sitcoms, and others, have provided us with many memorable father characters over the years. Choose a favorite TV dad, past or present, and write an essay that explores the reasons behind your choice. What does your chosen sitcom dad reveal about your personality? Are there aspects of this character’s behavior that reflect the kind of guidance you wished you had growing up?

Researchers recently announced the discovery that the metal blade of a dagger belonging to King Tut was made from a meteorite, imbuing an element of the cosmic into the legacy of an already mysterious historical figure. Write a short scene in which a meteorite lands in the vicinity of your story’s setting. What are the consequences—in terms of affecting the plot or tone—of introducing this unearthly element into your story?

The Dublin City Council announced last week that Akhil Sharma has won the 2016 International Dublin Literary Award for his novel Family Life. Sharma will receive €100,000 (approximately $113,000). The annual award, which is one of the world’s largest prizes for a single book, is given for a novel written in or translated into English and published in the previous year.

The 2016 judges were Meaghan Delahunt, Carlo Gébler, Ian Sansom, Iglika Vassileva, Juan Pablo Villalobos, and Eugene R. Sullivan. They selected Family Life (Norton) from 160 titles, which were nominated by libraries in 118 cities in 43 countries. Sharma’s novel, which tells the story of a family that immigrates to America from Delhi in 1978, was nominated by both the New Delhi­–based India International Centre Library and the Jacksonville Public Library in Florida.

“Suffering and the struggle to ameliorate suffering are not unknown in fiction but Family Life pulls off the extraordinary feat of showing them in their correct alignment,” wrote the judges in their citation. “Closing the book, having known this mix of light and dark, you are left with the sense that while reading you were actually at the core of human experience and what it is to be alive. This is the highest form of achievement in literature. Few manage it. This novel does. Triumphantly. Luminously. Movingly.”

The 2016 shortlist included Outlaws by Javier Cercas, translated from the Spanish by Anne McLean; Academy Street by Mary Costello; Your Fathers, Where Are They? And the Prophets, Do They Live Forever? by Dave Eggers; The End of Days by Jenny Erpenbeck, translated from the German by Susan Bernofsky; A Brief History of Seven Killings by Marlon James; Diary of the Fall by Michel Laub, translated from the Portuguese by Margaret Jull Costa; Our Lady of the Nile by Scholastique Mukasonga, translated from the French by Melanie Mauthner; Dept. of Speculation by Jenny Offill; and Lila by Marilynne Robinson.

Previous winners of the prize include Jim Crace for Harvest, Juan Gabriel Vásquez for The Sound of Things Falling, and Colum McCann for Let the Great World Spin.

Sharma, who also won the £40,000 2015 Folio Prize for Family Life, lives in New York City and teaches at Rutgers University in Newark. “To be acknowledged by people I respect is a strange thing,” said Sharma of winning the International Dublin Literary Award. “I can’t say I fooled them. I feel abashed by this honor.”

Photo: Akhil Sharma. Credit: Jason Clarke.

An ode is a poem that celebrates a person, an event, or object. But what if you don’t want to sing your praises for someone or something? Choose a person, event, or object with which you have a love-hate relationship, and write an anti-ode that examines the bases of your feelings of both opposition and attraction. How can you use diction and rhythm to reflect the complexity of tension between two extreme emotions for the subject of your poem? For inspiration, read Dean Young’s “Sean Penn Anti-Ode.”

Mike Geffner is the founder and producer of the Inspired Word literary/performance series and the Queens Lit Fest. For thirty years, he was a professional journalist who published stories in USA Today, Details magazine, Village Voice, Texas Monthly, the Writer, and Sporting News. He’s won awards for both column and feature writing, and was acknowledged seven times for excellence by the annual anthology Best American Sports Writing. Geffner retired from journalism in 2011 and is currently working on a book of poetry, tentatively titled Slogging Toward Death.

This was late March 2015. I was chatting with the event booker of a charming pub in Long Island City called LIC Bar. The place was already hosting several literary events and I felt it had the potential for something wonderful of my own. I just wasn’t sure what.

LIC Bar has the uniqueness of being broken into three distinct areas: a bar in front with antique-wood floors, brick walls, and a tin ceiling; an outdoor garden patio in the middle under the peacefulness of willow trees; and a private room in the back with a fireplace.

I mulled over a ton of ideas in my head before the words that would change my life spilled out: “How about a Queens Literary Festival?” It seemed perfect—the readings in the private room, the vendors in the patio, the schmoozing in the bar.

The booker agreed and we set a date for the first weekend in August. However, the second I left the bar, the reality hit: What did I just sign up for? How do you put together a two-day festival for an entire NYC borough in just four months?

It was daunting to say the least, though as a former journalist, I was used to dealing with deadline pressure and getting things done quickly. And as someone who has lived all his life in Queens, who loves his borough, I believed in the mission: to bring together Queens’s diverse literary community, to honor our literary artists, to create a dynamic event that would be unpretentious, all-inclusive, and filled with heart.

With the help of Inspired Word assistant producer, Poetry Teachers NYC founder, and fellow Queens resident Megan DiBello, aka Make It Happen Megan, we made it happen. We produced a cool logo, postcards, and T-shirts. We put together excellent programming, which included several notable Queens-based reading series; the current and previous Queens poets laureate, Maria Lisella and Paolo Javier, respectively; and an open mic that would level the playing field and make everyone feel involved.

We were written about in all the Queens newspapers prior to the event, and Megan, Maria, and I even appeared in studio on NY1.

It ended up being a glorious event. We had two sunny days, drew over three hundred people, and I’m proud to say that despite the event being free we paid all the featured artists with sponsorship money, including generous dollars from Poets & Writers.

This year’s event (July 16 to 17, 11:00 AM to 8:00 PM, open to all ages this time) will be on a grander scale. For one, the site is the wondrous wide-open space along the waterfront called LIC Landing, a symbol of the new Queens and which offers a stunning, unfettered view of the Manhattan skyline. We’re also collaborating with Hunters Point Parks Conservancy (leading the building of an ambitious new Queens Library of Hunters Point) and COFFEED, a coffee chain that donates 10 percent of its profits to nonprofit foundations and which owns and donated the event space. We’ve added, as well, a tireless arts visionary, Mark Christie, president of Friends of Queens Library of Hunters Point, as an organizer/consultant. And, once again support from the Readings & Workshops program at Poets & Writers.

I know now what I’ve gotten myself into. We’re smack on the forefront of Queens’s culture renaissance, part of a movement to make Queens a literary destination, not just a pit stop to Brooklyn or Harlem. We’re forever on the timeline of Queens history. What an amazing thing from a few blurted out words.

You can follow the Queens Lit Fest on Instagram, Facebook, and Twitter @QueensLitFest. For more info, to RSVP, donate, or to sign up for the open mic, go here.

Photos: (top) Mike Geffner. (bottom) Megan DiBello.  Photo credit: (top) Jay Franco. (bottom) Mike Geffner. Artwork credit: Edward Cox.

Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support form the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.

From cities across the globe come reports of increasingly untraditional and casual fashion choices when it comes to getting married: brides in New York City who opt to wear wedding pants instead of a gown, and couples in Beijing showing up to the marriage registration office wearing “sleeveless shirts and shorts, or slippers.” Write a personal essay that examines the progression of your own clothing choices. Have you gone through phases when your outfits—whether influenced by a job, emotional state, or cultural shifts—were formal or informal, plain or adorned, monochromatic or colorful?

Irish author Lisa McInerney has been announced the winner of the 2016 Baileys Women’s Prize for Fiction for her debut novel, The Glorious Heresies (John Murray). The annual book award is open to women writers from anywhere in the world writing in English, and carries with it a £30,000 (approximately $43,500) prize.

The finalists were Cynthia Bond’s Ruby, Anne Enright’s The Green Road, Elizabeth McKenzie’s The Portable Veblen, Hannah Rothschild’s The Improbability of Love, and Hanya Yanagihara’s A Little Life.

The judging panel consisted of five women: novelist Elif Şafak; journalists Naga Munchetty and Laurie Penny; writer and singer Tracey Thorn; and former lawyer and television personality Margaret Mountford, who served as judge chair. The committee selected McInerney’s novel from a hundred fifty entries.

McInerney’s novel tells the tale of how a messy murder affects the lives of “five misfits who live on the fringes of Ireland’s post-crash society.” At today’s award ceremony in London, Mountford said, “After a passionate discussion around a very strong shortlist, we chose Lisa McInerney’s The Glorious Heresies, a superbly original, compassionate novel that delivers insights into the very darkest of lives through humor and skillful storytelling. A fresh new voice and a wonderful winner.”

McInerney, thirty-four, began her writing career in 2006 with a personal blog called Arse End of Ireland, in which she documented working-class life in modern Ireland with a unique brand of cynical wit. The blog gained traction, and McInerney has since written for various Irish news and culture, feminist, and entertainment websites. Her short story, “Saturday, Boring,” was published in Faber & Faber’s Town and Country anthology in 2013. She lives in Galway.

Founded in 1996, the Baileys Women’s Prize for Fiction was established to recognize “excellence, originality, and accessibility in writing by women throughout the world.” The award is the U.K.’s most prestigious annual prize for a full-length book of fiction written by a woman. Previous winners include Ali Smith, Eimear McBride, Téa Obreht, and Zadie Smith. For more information, visit the prize website. 

This week, write a scene in which your main character experiences a series of coincidences over the course of a single day. Perhaps he sees the same stranger twice in one day, or finds that he is wearing the exact same outfit as someone he encounters. Is he eager to derive meaning from the occurrences, or does he dismiss them as possessing no significance? What is revealed about his personality by the response to these coincidences? Will he be proven wrong?